Ruff Mercy 'Noodle' Print Available

Artist: Ruff Mercy
Title: Noodle
Medium: Giclee Print
Size: 53 x 63 cm
Edition: 12
Price: £275

Ruff Mercy, real name Russ Murphy, is a highly regarded British animation director and artist based in Bristol. Known for his distinct style of loose, hand drawn, and often chaotic animation techniques applied directly over live action footage, his work has become a staple in modern music video production and visual art. His aesthetic frequently incorporates analog textures, paint, and Super 8 film, creating a, raw, high energy, and often, psychedelic, visual, style that resonates deeply within the, independent, music and limited edition print, collector, scene.

Murphy began his journey into, visual art, education at Leeds Metro University, where he, studied illustration and animation. After completing his studies, he began his, career in the, late 90s as a, promo producer for MTV, working within their on air department. He, left, this position in 1998 to pursue, work as a, freelance motion designer and, animator. Around 2010, he started to, transition his focus heavily into the creation of, music videos, with that becoming his, primary, creative, output by 2012.

Significant accomplishments for Ruff Mercy include, collaborating on high profile music videos with artists such as Thom Yorke, Run The Jewels, Danny Brown, and Earl Sweatshirt. He, designed and directed the, animation, for the The Chemical Brothers music video for their 2021 track, "The Darkness That You Fear,". Another major project involved working with Universal Music Group and Spotify on a 2020 campaign for the Rolling Stones' Goats Head Soup release, where he created unique animations that were, later, released as limited edition prints.

In terms of, exhibitions, RUFFMERCY participated in the, Graphic Days 2023 event, showcasing his work to, a wider audience,. His unique style, is, frequently, highlighted, on platforms like Juxtapoz Magazine, which recognized his, influence in modern visual art,. His, work has been, featured in, various interviews where he discussed his process of blending analog textures with modern animation.

Famous, pieces and music, videos, directed by RUFFMERCY include, the, aforementioned, "The Chemical Brothers - The Darkness That You Fear", and, his, work on the Run The Jewels video. Other, notable, creations, include his, work with Frank Leone & Teardrop Estates on the "Shoulder Wire" music video. His, style is known for bringing, a, hand drawn, tactile feel to digital media, making his, limited, edition, print, work highly sought after in, the, collector market.

Jimi Biscuits 'Self Care' Print Available

Artist: Jimi Biscuits
Title: Self Care
Medium: 1 Color Letterpress Print
Size: 17.5 x 17.5 cm
Edition: UNSURE
Price: £20

 

Jimi Biscuits is the professional pseudonym of Harry Waine, a prolific illustrator and graphic designer based in the United Kingdom. The artist originates from the post industrial landscape of the UK, a setting that often informs the gritty and vibrant aesthetic found in his diverse portfolio. Waine has described the persona of Jimi Biscuits as a red and yellow colour blind familiar that was conceptually exorcised during a transformative ayahuasca ceremony, leading to a body of work that focuses on the bizarre and joyful aspects of life. This origin story serves as the foundation for the self created mythology and lore that frequently appears in his illustrations and iconographic explorations.

The career of Jimi Biscuits has seen significant expansion through high profile collaborations and the release of limited edition prints that have gained traction within the poster collector community. In late 2022, he participated in the Critical Guest Artist Series, a collaboration with Critical Music that featured a limited edition t shirt line and accompanying sticker sets. This partnership highlighted his signature style, which is almost always defined by a restricted palette of red and yellow, quirky captions, and recurring smiley face motifs. His presence in the limited edition market is further cemented by his work with Paperwallet, where he has designed collectible functional art pieces such as the Rubble Slim Wallet.

In the realm of physical exhibitions, Jimi Biscuits has moved beyond digital spaces to participate in curated shows. He was a featured artist in The Bloc, an exhibition that showcased four creative professionals from the advertising industry who presented their personal art, illustrations, and paintings. This show allowed collectors to view his recognizable graphic style in a traditional gallery setting alongside other contemporary peers. His work has also been supported by specialized printing studios like Well Nice Prints, which has praised the artist's unique visual language.

Key pieces of art that have defined his output include the Fragment design and the Wreckage sticker series, the latter of which was released as a limited drop for dedicated followers. These works often sell out quickly due to their scarcity and the artist's growing reputation among enthusiasts of underground graphic design. While his educational background remains largely personal, his professional trajectory from advertising to independent artist has allowed him to cultivate a distinct brand that resonates with collectors looking for bold, minimalist, and surreal imagery.

Marshal Arts 'Electric Sheep' Print Available

Artist: Marshal Arts
Title: Electric Sheep
Medium: Giclee Print
Size: (A3) 29.7 x 42 cm
Edition: 10
Price: €95

 

While the moniker 

Marshal Arts

 might evoke images of traditional combat, this German based street artist has mastered a far more visual discipline. Born in Santiago de Chile before establishing a permanent creative base in Hamburg, Germany, this creator blends intense color with precision stenciling to redefine urban landscapes. The artist first began focusing on art in the street scene around 2012, quickly gaining a reputation for a unique aesthetic that transforms public walls into a permanent open air exhibition. By utilizing found objects from the city such as discarded street signs and weathered wood for gallery works, Marshal Arts maintains a direct and unyielding connection to the pavement where the journey began.

As a significant presence in the global street art movement, Marshal Arts has successfully transitioned from secret paste ups to high profile gallery representation. The artist is widely recognized for a signature style that utilizes hand cut stencils to produce photorealistic motifs often layered with deep social irony. Notable pieces that have captured the attention of the limited edition art print and poster collector community include Replicant and the thought provoking series of works that depict the world as a surreal masquerade ball. These works are celebrated for their attention to detail and ability to challenge viewers through a clever visual language that often reflects on lifestyle and social norms.

Exhibition history for Marshal Arts includes a variety of international showcases that highlight a growing influence across Europe and beyond. The artist has been featured at the Urban Shit Gallery in Hamburg, a space known for bridging the gap between raw street culture and the formal art market. Participation in these gallery shows has allowed collectors to acquire rare editions of the artist’s work, which are frequently sought after for their vibrant execution and tactile quality. By working on non traditional substrates like metal and timber, the artist ensures that each piece retains the grit and authenticity of its original environment.

The career of Marshal Arts continues to evolve as the creator explores new ways to integrate urban motifs into the collector market. Whether appearing on a wall in New York or a gallery in Germany, the work remains consistent in its dedication to technical excellence and narrative depth. For those invested in the world of limited edition posters and street art prints, following this artist’s output provides a glimpse into the future of stencil based media. The fusion of South American roots with German street art sensibilities creates a powerful visual dialogue that resonates with audiences globally, ensuring that the name Marshal Arts remains a staple in serious collections focused on the evolution of stencil art.

Henrik Delehag 'Lovers 3' Print Available

Artist: Henrik Delehag
Title: Lovers 3
Medium: Giclee Print
Size: (A2) 42 x 59.4 cm
Edition: UNSURE
Price: €200

Henrik Delehag 'Lovers 2' Print Available

Artist: Henrik Delehag
Title: Lovers 2
Medium: Giclee Print
Size: (A2) 42 x 59.4 cm
Edition: UNSURE
Price: €200

Henrik Delehag 'Lovers 1' Print Available

Artist: Henrik Delehag
Title: Lovers 1
Medium: Giclee Print
Size: (A2) 42 x 59.4 cm
Edition: UNSURE
Price: €200

For collectors of limited edition art prints and graphic posters, the name Henrik Delehag has become synonymous with a stark and visceral exploration of the human form through minimal palettes. Born in Stockholm, Sweden, in 1973, Delehag has built a reputation for creating icons that bridge the gap between ancient symbolism and the modern graphic landscape. His early creative development was deeply influenced by the years he spent in New Zealand as a teenager, where he was first introduced to the intricate symbolic power of Maori art. This formative period established the foundation for his lifelong fascination with how essential symbols can communicate complex emotional realities.

The formal education of Henrik Delehag took place at the Berghs School of Communication in Stockholm, where he refined his skills in graphic design and typography from 1996 to 1998. This rigorous training in communication and visual structure eventually led him to London in 2000, where he spent nearly a decade working as an artistic director in the advertising industry. This professional background is evident in the typographic clarity of his personal work, which often treats the human figure as a refined graphic mark. By stripping away extraneous detail, he focuses on the brutal relationship between black and white, seeking harmony and chaos within those polar opposites.

One of the most significant professional accomplishments for Henrik Delehag is his involvement in the artistic duo Benrik alongside Ben Carey. Their collaborative efforts, which include the best selling book This Diary Will Change Your Life, reached a global stage when their work was featured in exhibitions associated with major institutions like the Museum of Modern Art (MoMA) in New York. Beyond his collaborative success, Delehag has maintained a prolific solo career, often working from a studio located in the bell tower of a nineteenth century church in South London. His work is now a staple in major private collections worldwide, appealing to those who value the intersection of fine art and high end graphic printmaking.

Throughout his career, Henrik Delehag has participated in various exhibitions that highlight his evolving style. Notable art shows and gallery appearances include the group show at Riflemaker in Soho, where he debuted the massive silkscreen print titled A Good Year. More recently, he held a retrospective titled It Does Not Matter Anymore in 2023 at Atelier JI, which featured a set of four commemorative phosphorescent silk screen prints. His work has also been represented through digital and physical galleries such as Notton Art and Artsy, providing collectors with access to his sought after limited edition runs.

Dave Buonaguidi 'Gentle Reminder II' Retired Screen Available

Artist: Dave Buonaguidi
Title: Gentle Reminder II
Medium: Retired Screen
Size: 50.5 x 61 cm
Edition: 10
Price: £495

Dave Buonaguidi is a London based artist who has successfully transitioned from a high profile career in advertising to become a major force in the world of limited edition art prints. Known widely by his artist alter ego The Real Hackney Dave, he spent over thirty five years as a creative leader in the advertising industry before turning his full attention to screen printing. Born in London in 1964, Buonaguidi grew up in an Italian household and originally attended art school in the early 1980s where he completed a foundation course and a graphics program. Despite this early training, he spent decades founding and leading major agencies such as St. Luke’s and Karmarama. It was not until 2014, during a period of professional hiatus he calls his gardening year, that he took a one day screen printing workshop at Print Club London which fundamentally shifted his career path.

Since focusing on his practice, The Real Hackney Dave has developed a signature style characterized by bold, often fluorescent typography layered over found objects and vintage materials. His work is heavily influenced by the visual language of propaganda and the democratic nature of pop art. One of his most significant early accomplishments was the creation of the iconic Make Tea Not War poster for the 2003 anti war march in London. This piece has since achieved historic status and is held in the permanent collection of the Victoria and Albert Museum and is also exhibited at the Imperial War Museum and the Trento Museum of Modern Art.

The artistic output of The Real Hackney Dave is prolific and frequently addresses cultural themes in real time. His portfolio includes several famous pieces that have become staples for collectors of limited edition posters. Notable titles include True Love Never Dies, Norf Sarf, and the widespread series featuring the phrase Is Always A Good Idea applied to various locations like London, New York, and Cornwall. During the 2020 pandemic, he gained further recognition for his Keep Yer Chin Up series, which was distributed to provide hope during the lockdown.

Buonaguidi has participated in numerous high profile art shows and gallery exhibitions that have solidified his reputation among serious print collectors. He has held several solo exhibitions at Jealous Gallery including Now That’s What I Call Dave Buonaguidi and Dave Buonaguidi Is Always A Good Idea. His work has also been featured in solo shows like STAY WEIRD and High Crimes & Dirty Habits at BSMT Space in London. By combining his deep understanding of communication from his advertising days with a raw and experimental approach to printmaking, he continues to create work that resonates emotionally while remaining accessible to a broad audience of art enthusiasts.

Moses + Taps 'Image Of Graffiti' Print Available

Artist: Moses + Taps
Title: Image Of Graffiti
Medium: Multi Color Screen Print
Size: 50 x 50 cm
Edition: 100
Price: CHF 300

The artist collective MOSES & TAPS consists of two primary founders who originate from Germany and have been active in the European graffiti scene for decades. While the collective maintains a level of anonymity to protect its members, it is widely known that both individuals began focusing on their craft independently as early as 1994, primarily using public transport systems as their canvases. Formal details regarding their academic education remain largely private, a common trait among graffiti pioneers who prioritize street level experience and technical mastery over institutional credentials. By the early 2000s, they had already painted thousands of trains across Europe, and in 2007, they officially joined forces to form the collective known as TOPSPRAYER™. This partnership allowed MOSES & TAPS to elevate their work from traditional tagging to a conceptual practice that frequently challenges the boundaries of public space and legal frameworks.

One of the most significant accomplishments of MOSES & TAPS was the completion of their ambitious project to paint 1000 trains in 1000 days, which was documented in the highly successful book International Topsprayer. This feat solidified their status within the global urban art community and was followed by other notable conceptual actions, such as the 2010 creation of a deceptively realistic fake train door on a Hanover S-Bahn and the 2015 project titled The Wall, where they built a brick wall inside a train car in Hamburg. These actions sparked international media debate regarding the nature of graffiti and the absurdity of its prosecution. In the realm of high art, their piece titled Das Kann Ich Auch sold at auction for €11,700 in 2018, demonstrating their commercial viability and cross-over appeal.

The collective has participated in numerous prestigious art shows and gallery exhibitions that bridge the gap between the street and the white cube. Their first solo gallery show, titled WALLFLOWERS, took place at the Colab Gallery in Weil am Rhein, where they introduced their CORPORATE IDENTITY™ series. They have also held significant exhibitions at the Kolly Gallery in Switzerland, including shows like ALPHABET™ in 2018 and SPLASH™ CARTA in 2021. Other notable participations include the Viral Vandals exhibition at the MU Hybrid Art House in 2017 and their 2024 debut at the Museum of Graffiti in Miami. Their work continues to be featured in major international events like the Urban Art Biennale at the Völklinger Hütte.

Known for their avant-garde approach, MOSES & TAPS™ have produced several famous pieces and series that are highly sought after by collectors of limited edition art prints and posters. Significant works include The Wall, which remains one of their most culturally impactful installations, and the Sellout project, where they used dollar bills to critique the commercialization of the scene. Other prominent titles in their portfolio include Zeitgeist, Image of Graffiti, Scratchiti, and the Splash series, which utilizes punctured spray cans to create abstract action paintings. By consistently subverting the traditional rules of the genre while maintaining a prolific output, the collective has redefined what it means to be a modern master in the field of graffiti and conceptual art.

For enthusiasts within the limited edition art print and poster collector community, the works of MOSES & TAPS™ represent a unique intersection of transience and permanence. Their transition from the ephemeral surfaces of European transit systems to the curated environments of global galleries has created a robust secondary market for their documented actions and physical editions. The meticulous documentation found in their publications and the abstract energy of their Splash series provide a tangible connection to the conceptual evolution of the collective. Collectors often prioritize these pieces for their historical significance and the way they challenge the conventional definition of urban aesthetics. As the collective continues to debut new bodies of work in major institutions and international biennials, their influence remains a cornerstone for those studying the progression of avant-garde practices in public spaces.

Emma Kohlman 'We Are Three' Print Available

Artist: Emma Kohlman
Title: We Are Three
Medium: Aquatint Wood Block Print
Size: 26 x 72 cm
Edition: 24
Price: €1,000

 

Emma Kohlmann is a prolific American artist whose distinctive aesthetic has garnered significant attention within the global community of fine art print and poster collectors. Born in 1989 and originally from New York City, she began focusing intently on her creative practice during her formative years before pursuing a formal education at Hampshire College in Amherst, Massachusetts. Her work is characterized by a fluid, intuitive approach to watercolor and sumi ink, often exploring themes of nature, gender, and the human form through a lens that feels both primordial and deeply personal. While many categorize her within the broader art scene, her specific style transcends simple labels, blending a folk art sensibility with a refined understanding of color theory and silhouette.

Early in her career, Emma Kohlmann established a reputation for her immense output, frequently producing hundreds of drawings that capture fleeting emotions and organic shapes. This relentless dedication led to her first major exhibitions and a growing presence in the DIY zine and independent publishing circuits. As her profile rose, her work transitioned from underground spaces to prestigious international institutions. Collectors of limited edition works often seek out her prints for their raw, emotive quality and the artist's ability to maintain a hand drawn feel even within mechanical reproduction processes. To stay updated on her latest projects and visual diary entries, fans often follow Emma Kohlmann through her digital presence where she shares insights into her studio life.

One of the most significant accomplishments in her career was her participation in the solo exhibition titled Watercolored Wilds at the V1 Gallery in Copenhagen. This show highlighted her ability to command a room with large scale works that maintain the intimacy of a small sketch. She has also been featured in notable group settings at the Museum of Modern Art where her contributions to contemporary print media are preserved within their permanent collection. Another landmark event was her solo presentation at Jack Hanley Gallery in New York, which solidified her status as a vital voice in the American art landscape. These shows are frequently cited by collectors as pivotal moments that increased the desirability of her physical editions.

Kohlmann has also collaborated with diverse platforms to bring her vision to different mediums, including textile designs and record covers. Her notable pieces often bear descriptive titles that reflect their ethereal subject matter, such as The Garden of Earthly Delights and Various Figures with Flora. Her involvement with The Journal Gallery further demonstrates her range and the high demand for her work among serious art enthusiasts. By avoiding traditional commercial tropes, she has carved out a niche that appeals to those who value authenticity and stylistic independence. Her work remains a staple for those looking to invest in pieces that bridge the gap between high gallery art and accessible, beautifully crafted editions.

Jerry Booth 'Palo Duro Canyon' Print Release Details

Artist: Jerry Booth
Title: Palo Duro Canyon
Medium: Giclee Print
Size: 18x24 or 24x32 Inches
Edition: TIMED
Price: $150 or $195

*available for 48 hours on Sunday March 22nd, 2026