Peter Kennard + War Boutique 'Shooting @ Earth' Art Show Details

Check it out HERE



Jeremiah Ketner 'Sub Urban Vinyl Toy And Art Show' SNEAK PEEK

Check it out HERE



Jon Smith 'Nothing Is Fucked' Variant Print Available

Here is an AMAZING print by artist Jon Smith for the movie 'The Big Lebowski'. This beauty is a 24 x 18 inch screenprint with an edition size of 50, comes signed and numbered by the artist for $70 each. Strangely the regular edition sold out and this is the variant. This was released as part of the 'Quentin vs Coen' art show.

Check it out HERE

D*Face Mural In Los Angeles

My man Dean has been killing it around L.A. lately. With the awesome tombstones and this mural D*Face is a force to be reckon with. D*Face's 'Going nowhere fast' art show at Corey Helford is NOT one to be missed.

Judith Supine 'Ladyboy' Art Show Details

New Image Art is pleased to announce 'LADYBOY', the highly anticipated solo art show by artist Judith Supine, collagist of the psychedelic and surreal. The exhibition features the artist's newest and most ambitious work to date, showcasing more than twenty canvases and large-scale woodcut sculptures up to fourteen feet high. Supine has transformed the entire gallery into a personal installation space, covering every inch of floor, wall and ceiling with silk-screened wallpaper, his signature fluorescent colors and dreamlike narratives. 'LADYBOY' references the "genderqueer". Supine describes the title's significance as "the marriage of opposites in one person - comparable to the technique of collage, combining seemingly disparate images to reveal something that wasn't previously apparent". An intimate encounter by the artist with a ladyboy in Bangkok served as the stimulus for this exhibition.

Opening Reception: 7-10pm Wednesday April 13th, 2011

Exhibition runs through to May 13, 2011

New Image Art Gallery 7908 Santa Monica Blvd, West Hollywood, CA 90046

Josh Keyes 'Fecal Face' Art Show SNEAK PEAK

Here are two NEW fresh pieces by artist Josh Keyes, rumour has it these are part of his upcoming Fecal Face art show.

Andrew Bell 'Love The End' Art Show Details + SNEAK PEEK

Exhibit Information

'Love the End'
by Andrew Bell

March 25-April 17, 2011

Opening Reception & Signing

Friday, March 25, 2011, 7-10PM
Andrew will be in attendance and signing from 7-8PM

About the Artist

Andrew Bell was born in England in 1978. His family moved several times until settling into the eastern US in the mid 1980's. He has lived and worked in New York since 1996. Andrew's work spans a wide spectrum of mediums from illustrations and paintings to toys and sculptures. Much of his work is brought together by a sense of humor that often belies a more serious and sombre message. His work has been featured in solo and group gallery shows from LA to Paris and has been covered by publications such as The New York Times and Wired. Before focusing exclusively on his own work, Andrew spent time freelancing for Marvel Comics and served as a senior designer at Nickelodeon for five years. Below is a sample from the show, it is called 'The New Horizon' and it is a 40 x 60 inch acrylic on canvas, stunning and politically charged. AWESOME piece Andrew!

Check it out HERE



Miss Van 'Twinkles' Art Show Details

Check it out HERE

Obey 'Revolutions' Art Show Details

Brian Adam Douglas 'Due Date' BRP Art Show Details

Check it out HERE

March 10 – April 8, 2011

Black Rat Projects
Through Cargo Garden
Arch 461, 83 Rivington Street
London EC2A 3AY

Black Rat Projects is pleased to present our next project with Brian Adam Douglas. 'Due Date' his first solo show in the UK, will be on view from March 10 – April 8, 2011. The opening will coincide with the launch of a book about his work, Paper Cuts, published by DRAGO.

Under the name Elbow Toe, Brooklyn based artist Brian Adam Douglas has been pasting his distinctive woodcuts, stencil work, large-scale charcoal drawings and collages onto the walls of cities all around the world throughout the past decade. His diverse practice is anchored by an interest in the human gesture as a powerful form of communication, one charged with unspoken narratives and he continually transforms public space into a stage for these private moments.  The scenes in his most recent body of work focus on the bewildering act of parenthood.  Just as he builds a finished image through the meticulous layering of tiny individual bits of coloured paper, so the meaning of the image is woven through layers of references to historically and culturally established narratives. This kind of intertextuality has become the foundation for the development of his distinctive style. The result is a sophisticated visual language where personal metaphors begin to communicate universal truths. In Douglas’ work family life is a staged performance, animals are manifestations of human emotion, intense pattern breaks the jagged surface and functions like an ancient Epic storm: as his characters fight to find their balance the viewer holds their breath.

Artist’s Statement:

“For my first solo show in the U.K, 'Due Date', I am exploring my preconceived notions of parenthood and the opportunities for growth that come through that process. I am presenting a series of narratives that flirt the line between fact and fiction; they are moments of autobiography that have been extrapolated to become allegories.  As an artist in the process of trying to become a parent and living in one of the most parent-centric sections of NYC, I am keenly aware of the mania that strikes at the heart of parents young and old. In these paintings I am addressing fears (loss of individuation as well as of the proverbial unknown), the strengthening of bonds in times of crisis, the issues of trying to become a parent later in life and the wisdom gained through the process of parenting. The work is divided into two groups: a set of images on panels, and a set of images on paper. In the more fully realized works on panel, all the actions are taking place in staged environments. The elements surrounding the figures are merely cardboard props, strictly for the purpose of giving the action of the figures a point of reference. The action of the figures is the reality of the image, everything else is just window dressing. The paint drips and splashes act as abstract gestures clearing things away yet never managing to obscure the events occurring on the stage. In the works on paper, the events being described are contained in a sea of white. By the very nature of the presentation the gestures and relationships are isolated and distilled. The current body of work builds upon a process of art making that I have been refining for several years. I refer to the work as paper paintings rather than as collage. I see each piece of paper as a brushstroke rather than as a juxtaposed idea. Each brushstroke is selected for it’s color, value and texture, rather than it’s imagery”. - Brian Adams Douglas