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The Best Art And Best Artists Out There!

Entries in Installations (108)

Sunday
Nov062011

Banksy 'Monopoly Board' Installation At Occupy London

Here are some photos of Banksy's recent installation of a Monopoly Board at the Occupy London protests in St Paul's Cathedral. I love the TOX graff piece on the hotel :)

Monday
Oct312011

Os Gemeos 'Museo Vale' Installation Photos

Check it out HERE

























 




fotos: Osgemeos®

Tritrez / fotos: Osgemeos®


Saturday
Oct152011

Mr Brainwash 'Open Artist Studio' Photo

 

Here is a shot of some of the art and artists taking advantage of Mr Brainwash's generosity.

Saturday
Aug202011

Chris Shaw + Chuck Sperry 'Temporarily Bound' Installation

 

If you are in San Fran, I recommend you check this out.

June 2011 to January 2012

SFMOMA Window Gallery

Natoma Street, SF
Acrylic on 3 sec­tions of 6 artic­u­lated hard-panels.
Each sec­tion mea­sures 6’8″ x 12′ installed. (6’8″ h x 18′ flat.)

"Chris Shaw and Chuck Sperry have been close friends for many years, but have only worked in tan­dem cre­at­ing art on a hand­ful of occa­sions. Both artists have both incor­po­rated and appro­pri­ated con­cepts and imagery from a myr­iad of sources in their designs for Rock Posters and paintings. “Tem­po­rally Bound” marks this col­lab­o­ra­tion by the two artists not only as an event, but also in the form and sub­ject of the art­work. The work’s form is derived from an asian “accor­dion” book, while the sub­ject, “Three Gor­gons” reflects the artists’ west­ern influ­ences. The free inter­twin­ing of East­ern and West­ern ref­er­ences is not only evoca­tive of the mod­ern tech­no­log­i­cal world, but also of San Fran­cisco, a cul­tural melt­ing pot on the Pacific Rim. The instal­la­tion is com­posed of 3 sec­tions of 6 artic­u­lated hard pan­els, painted in acrylic and hand-made paints. The artic­u­lated form allows the art­work to bend or com­press, the which lets the art­work take almost any form, in 2 or 3 dimen­sional space. Sperry and Shaw’s design con­cept for the Natoma Street win­dows of the SFMOMA Window Gallery called for an 18 foot wide hor­i­zon­tal image to com­press into a 12 foot wide area. The artists chose wooden hard-panels for the instal­la­tion sub­strate which cre­ates a sturdy self-supporting struc­ture with 52º angles, a golden pro­por­tion har­mo­nious to the instal­la­tion space. In their expe­ri­ences in cre­at­ing Rock Posters, Shaw and Sperry had both worked pre­vi­ously with multi-panel poster images. When com­pos­ing the “Three Gor­gons” the artists paid spe­cial atten­tion to the way the images would frag­ment when the pan­els were in their com­pressed and folded state. Because many of the view­ers pass­ing the instal­la­tion on the side­walk would be approach­ing at very oblique angles, the artists cre­ated semi-symmetrical images that would appear to change and unfold as the viewer passed by. View­ing the art at oblique angles and close prox­im­ity cre­ates a dis­tinct sense of “false abstrac­tion”, while view­ing the pieces from afar (the oppo­site side­walk) gives the viewer cohe­sive, rep­re­sen­ta­tional images of the Three Gorgons. The 3 Gor­gon images were cre­ated to work indi­vid­u­ally or together as a unit. In tan­dem, the artists each cre­ated their own dis­tinct ver­sions of a Gor­gon (Shaw,left / Sperry, right). While each artist cre­ated their com­po­si­tions and selected color indi­vid­u­ally, cer­tain deci­sions were made together to help enhance the over­all art­work when viewed in a unit. Red and Gold were both cho­sen as main color com­po­nents, which again ref­er­ences East­ern art. The over­all bold col­ors and hard graphic black­line of the Gor­gons addi­tion­ally reflects the artists work as poster artists and print­mak­ers. Sperry and Shaw then worked together to cre­ate the 3rd, cen­ter Gor­gon, a “hybrid” of their styles that would fur­ther bridge and inte­grate their indi­vid­u­ally cre­ated Gor­gon panels."

Check it out HERE

Sunday
Aug142011

Hans-Peter Feldmann '$100,000' Installation At Guggenheim

 

Here is an unique use of $100,000 cash. Artist Hans-Peter Feldmann wanted to see what his Biennal Hugo Boss prize of $100,000 could cover at the Guggenheim Museum!

Saturday
Aug062011

Oliver Voss 'The Bather' Installation In Hamburg

 

:)

Here is an AWESOME sculpture installation called 'The Bather' by artist Oliver Voss. This is floating in the artificially created Binnenalster Lake in Hamburg, Germany.

Saturday
Jul302011

EVOL 'Urban City' Installation

 

Here is some truly AMAZING work at MS Dockville in Hamburg by artist Evol.

Check it out HERE




Wednesday
Jul062011

Handiedan's Final London Mural At Unit 44

 

Check it out HERE

 

Wednesday
Jul062011

Introducing 'The Graff Mobile' - YES!!!

 

Check it out HERE




Sunday
Jul032011

Sam3 'Empty Pockets, Empty Head' Billboard

 

Here is a great billboard take over by artist Sam3. This is from the 'Agency Of Urban Subconscious' posting on his blog. I have decided to call this piece 'Empty Pockets, Empty Head'.

Check it out HERE

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